Welcome to the eScripta blog. This is a ‘work in progress’ blog associated with eScripta, the Digital Humanities team within the Scripta project at Université Paris Sciences et Lettres. It will feature regular discussions from members of the project team and selected external contributions. Articles will comprise a mixture of presentations of work in progress, discussions of methodological challenges, and notices of future events and related news. The target audience is those in Computational and Digital Humanities and (Historical) Document Analysis, including related specialisations such as Computational and Digital Palaeography (modelling and describing script, OCR and HTR, layout analysis, and so on).
Our platform for automatic manuscript transcription will be presented in the talk “eScripta: An Open Source Platform for Artificial Intelligence and Deep Annotation Applied to Written Objects” by Daniel Stökl Ben Ezra at the Institute for the Study of the Ancient World, New York on Thursday, April 4, 2019 between 12h30-1h30.
Address: 15 East 84th Street, New York, NY 10025.
In the frame of the research programme Scripta at Université PSL in Paris, we are developing eScripta, an open source virtual research environment for analyzing and publishing manuscripts and inscriptions. It combines combining quantitative approaches from AI such as automatic layout analysis and automatic transcription of manuscripts (HTR / OCR) or automatic textual criticism and stemmatology with qualitative approaches, deep paleographical, philological, linguistic or historical annotation, in bricks such as kraken by Benjamin Kiessling, Archetype by Peter Stokes or pyrrha by the ENC. We will present the current state of the platform as well as preliminary research results from projects linked to it dealing with automatic transcription of Medieval Hebrew manuscripts (sofer mahir with U Maryland, Dicta and the National Library of Israel) and crowdsourcing their corrections (tikkoun-sofrim – with Haifa U and the National Library of Israel) where we have reached character error ratios of up to 2% for Latin and Hebrew Medieval manuscripts.
Although not strictly related to eScripta, readers of this blog may still be interested to learn of a series of practical and theoretical workshops I will be giving in April 2019 on paleografia digitale at the Università degli Studi di Firenze, Dipartimento SAGAS. The workshops will be held in Italian, and the deadline for registration is 5 April. Details are in the programme below (click on the image to download the PDF).
Our upcoming open source infrastructure eScriptorium for automatic manuscript transcription and deep annotation has been presented in the framework of the daily kraken workshops by Benjamin Kiessling and Robin Tissot with the support of Peter Stokes and Daniel Stoekl at the spring school manuSciences 19 in Fréjus at the Côte Azur, March 10-15, 2019. We met quite some enthusiastic testers.
Have a peek look here
eScripta has been invited to be presented at the Center for Judaic Studies at Princeton University on April 5, 2019 at 12 pm in a talk entitled “Artificial Intelligence, Citizen Science and Medieval Hebrew Manuscripts“.
The Scripta project and eScripta team will be represented at the International Medieval Congress in Leeds this year. Scripta is co-sponsoring a strand of three sessions on ‘Materiality in Series’, and two members of Scripta will be giving papers as part of a strand sponsored by Digital Medievalist. Details are given below. Of course these represent just a very small fraction of the many interesting papers and strands at the IMC, so we very much hope to see you at what looks like being some extremely productive discussions.
Materiality in Series I: Serial Manuscript Production
Thursday 4 July, 9:00 – 10:30 (Session 1526)
New Insights into Serial Manuscript Production in the Early Middle Ages (Tino Licht, Heidelberg)
- Individuality in the Decor of Manuscripts Produced in Series (Lisa Horstmann, Heidelberg)
- Manuscript Production of Verse Romances in French: Re-Grouping Objects, Re-Thinking Texts (Pietro Andrea Martina, Zürich)
Materiality in Series, II: Text Series in Manuscripts
Thursday 4 July, 11:15 – 12:45 (Session 1626)
- The Lives of Saints in Series: A Perspective from Old French Manuscripts (Ariane Pinche, Paris)
- A Reasoned Series of Texts?: The 9th and the 10th Fascicule of the Manuscript Firenze, Biblioteca Nazionale, MS Banco Rari 217 (Nicolò Premi, Paris)
- Songs in Series: Order and Distribution of Peirol’s Compositions in Old Occitan Sources (Stefano Milonia, Rome)
Materiality in Series, III: Serial Analysis and Materiality
Thursday 4 July, 14:15 – 15:45 (Session 1626)
- Can We Explore the Materiality of Charters Using Digital Methods? (Nicolas Perreaux, Frankfurt & Paris)
- Serial Analysis of Manuscript Features: Placing Epic Manuscripts inside French Vernacular Production (Jean-Baptiste Camps, Paris)
- Serial Analysis: The Materiality and Texts of Relic Labels (Kirsten Wallenwein, Heidelberg)
Digital Materiality, II: How to Represent Materiality Digitally in Palaeography and Codicology? (Sponsored by Digital Medievalist)
Monday 1 July, 16:30 – 18:00 (Session 324)
- Peter A. Stokes (eScripta, Paris): Modelling Writing: Towards a Conceptual Reference Model for Palaeography
- Marc H. Smith (Scripta, Paris): On the Epistemological Limits of Automatic Classification of Scripts
- Carolin Schreiber (Munich): Book Covers as Material Objects: Possibilities and Challenges in the Brave New Digital World
The eScripta team is very happy to announce that we will be presenting at DH2019, the annual Digital Humanities conference this year in Utrecht on 9–12 July. We will be presenting a poster on the eScriptorium platform that is currently under development and that focusses on a web interface to Kraken, Archetype, and (most likely) other components such as Pyrrha (from the École des Chartes) and TEI Publisher.
Peter Stokes from eScripta will also be giving a full-day workshop with Debora Matos from the University of Münster, to show the theory and practice of using Archetype for your own research into palaeography, art history and other studies of written communication.